Monday, 19 July 2010

Peter Murphy: The Fadeout Interview.





Charismatic Bauhaus frontman Peter Murphy talks to Cruel Britannia about his upcoming solo 'Dirty Dirt' tour (see dates below) and recent cameo appearance as 'The Cold One' in the latest instalment of the Twilight films, 'Eclipse'.
Peter is also adding the finishing touches to his new studio album 'NINTH', which is due for release in the Autumn.

You can catch the interview on Fadeout on Phoenix Radio on Saturday 24th July and Nightbreed Radio on Sunday 25th July.



THE DIRTY DIRT TOUR:

Fri, July 30 – Aletejo, Portugal – Evora Festival Alentajo
Sun, Aug 1 – Wolverhampton, UK – The Slade Rooms Wolverhampton Civic Halls
Mon, Aug 2 – Glasgow, Lanarkshire – UK Classic Grand
Tues, Aug 3 – Dublin, Ireland UK – The Button Factory
Thurs, Aug 5 – London, UK – Electric Ballroon
Fri, Aug 6 – Sheffield, UK – Corporation
Sat, Aug 7 – Blackpool, UK – Rebellion Festival
Sun, Aug 8 – Hamilton, ON Canada – Festival of Friends
Tues, Aug 10 – Toronto, ON Canada – Lee's Palace
Additional worldwide dates to be added



Sunday, 18 July 2010

Introducing...Nightbreed Radio!




Out of the ashes of Radio Nightbreed comes a brand new dynamic station that features THE BEST and darkest music in the world...NIGHTBREED RADIO.

Our intention is to play the widest selection of tracks covering 80’s and 90’s classics as well as the underground releases of today from the Goth, Darkwave, Deathrock, Industrial and Dark Alternative genres. Even the automated playlist consists almost entirely of hand-selected tracks by its DJ's, so that you will experience less of that 'album filler' broadcast when you tune in at any time.

All of this painted upon the backdrop of the world renowned label, Nightbreed Recordings.

Nightbreed Radio is home to the hottest and most regarded Gothic DJ’s and shows as well as the coolest playlists in the world; a lot of hard work has been going on in the background to present what you will hear and see from today!

So how do you listen to this station?

1. You can head to our page at http://www.nightbreedradio.com/

Once you are there you can click on the page player or use any of the links to open the stream in any media player of your choice such as Itunes, Windows Media Player or Winamp


2 You can also get an iPhone app to listen to our station whilst you are on the move on your Iphone!

Just download the "Tuner" app from the app store (which costs about £ 3.00). Add the code below, name the station, then click 'add to bookmarks'.

http://listen.radionomy.com/nightbreed-radio


Bands-we want you to send us your music to be part of the Nightbreed Radio Revolution.
Promoters-send us your event details so that we can spread the word.
The rest of you-tune in and spread the word. Let us know what you think of the station as Nightbreed Radio will only be as good as the people it serves!

Join the revolution!

Friday, 16 July 2010

All I need for 20 minutes...

A broadband internet connection at optimum working capability.
A house bereft of any inside or outside noise.
No salesmen or visitors of any kind.
Backup equipment running alongside main setup.
The Gods of technology smiling upon me.
 
As long as I have all of these together in one place at one time next week I shall have something special for you to listen to on the weekend 24th/25th July.
 
I'll update this accordingly after the event.

Monday, 5 July 2010

A time for change and giving.

Last week it was decided that Nightbreed Recordings and the social network site Pray Silence would part company. As of this weekend, Radio Nightbreed is no longer a going concern.
Very soon, Nightbreed Radio will be broadcasting from Radionomy with many of the original DJ's including myself, and will in all likelihood keep the same schedules for most of the shows.
We hope to give you the same if not better listening experience, and as we're operating the station as a team rather than one person looking after everything, we'll also try to give you far more 'uptime' than previously experienced when listening to Radio Nightbreed.
In the meantime, you can still hear Fadeout every week on Phoenix Radio (http://www.phoenixradio.co.uk) every Saturday at 7.00pm GMT or download the podcast at http://fadeout.podomatic.com as normal.
I'm also working on a podcast archive which will serve two purposes; (1) to make every show available since the beginning of the year as a download in case you missed any from way back, and (2) as a backup in case once again, my podcast page bandwidth allowance craps out. The price of popularity, I guess...
Watch this space; I'll be updating my official website this week with an archive page. If demand calls for it, I'll archive most or all of 2009's podcasts too.
I'm just too bloody generous to you lot, aren't I?

UPDATE:
I've just included a link to the archives on my Downloads page at http://www.cruelbrit.co.uk.

(I've also increased the text size of this blog so Martin Oldgoth can read it. He said it was too small. Between you & me, I think his eyes are going with age... ;-)

Monday, 28 June 2010

Corporate Tree-Hugging. A Brief Insight.

With little to entertain me this weekend other than the distant strains of drunken singing in the streets of my neighbourhood on a Saturday night (let's face it, NOBODY sang the following night-Thanks, Germany), I resigned myself to catching the late night BBC coverage of Glastonbury Festival.
I watched little bits of Pet Shop Boys live, their performace alternating between somewhat entertaining & unique, right through to woeful examples of PA problems and forgetting the lyrics to 'Left To My Own Devices'-a travesty, I tell you!
I missed Gorillaz, but then I wasn't sure when they were going to be on. I caught Shakira by accident; the wiggly hips and all that onstage lapdancing she does is somewhat lost when she hasn't got a scrap of makeup on. It's Glastonbury, FFS. Make an effort, girl...
Now I have to say that I like Muse. Their albums and live sets are often quite staggering; I'd give vital organs to be able to play as well as their bassist. 'Hysteria' is an amazing song.
This weekend they were at best, all noise and trousers; their heart wasn't quite in it. The highlight of the set was of course, U2's Edge strolling on stage while playing the opening guitar part to 'Where The Streets Have No Name' which was as magical as it sounds, and my gawd they did the song justice. If you can iPlayer it or whatever then do so immediately.
 
Overall though, when did one of the UK's biggest festivals suddenly become 'Now That's What I call Music Live'??? I mean, Dizzy Rascal???
 
I'm pretty sure the rot set in with the BBC and their repeated entire-set coverage of Macey bloody Gray back in 2000, compared to the woefully minimal coverage (1 song, and not even their best) of one of the actual headliners; a certain 'not on our corporate playlist' Nine Inch Nails.
I attended the 2000 festival, and just to briefly remind you of the musical calibre back then, among the enormous lineup was Nine Inch Nails, David Bowie, Moby, Chemical Brothers, Leftfield, Fat Boy Slim, Utah Saints, Asian Dub Foundation, Muse, Elastica, Death In Vegas, Moloko, Wannadies, Bloodhound Gang and Semisonic (remember them? Me hardly, either). Oh, and bloody Travis, who were as commercially omnipotent back then as that bastard Oasis lot.
However, there was not a single girlgroup, boyband or Pop Idol winner in the mix. This was of course, back then when music journalists had testicles and major record companies knew better than to put forward their latest androgynous stick insect as a lineup entry. Glastonbury is now so corporate I wouldn't be surprised if the Hare Krishna stall was sponsored by Orange. 
 
Bah. The 'too posh to mudslide' generation get everything they deserve. Which apparently this weekend was heatstroke and one or two heart attack fatalities. Porschia & Tarquin will be as red as lobsters, mindless on weak cannabis, get picked up by Mummy in Daddy's four-by-four after abandoning their tent and losing their iphones and will in total, have contributed precisely fuck all to the spirit of what was once the biggest fringe festival in the UK.
 
So, you may ask, why am I ranting about something that I would never ever grace with my presence again?
Imagine if Wave Gotik Treffen was suddenly sponsored by Hot Topic?
Ahh, NOW you're shitting yourselves, aren't you?

Monday, 14 June 2010

Does anyone else see the irony...

...of me keeping a finger on the pulse of a music scene which mostly writes songs about...death?
 
 
 
Just thought I'd ask.
 
 
 

Thursday, 27 May 2010

I don’t want to sign up to MyFaceFreaks!

For some time now I've managed to evade following the herd in many aspects of life; music tastes, attitude, political and philosophical opinion and not least, fashion. If I've managed to achieve anything at all in this life it's the deft avoidance of joining in.

Where technology is an issue I don't so much avoid it as take a fleeting glance when all the bugs have been worked out. I generally believe that the people who dive head first into anything new are the ones who will have their time taken up with having to reassess their approach, continuously amend, upgrade, abandon, and ultimately end up out of pocket both in finances and time-you can't get either back easily if at all.

The same can be said for social networking. It was a good while before I created a Myspace page, and even then I wasn't sure what I'd use it for. I was primarily a musician years ago so of course being me, I made the first mistake of creating a 'personal' page rather than a 'band' page. So I had to close that down and start again. Once I'd done that I experienced trouble trying to get my music into the little Flash player thing. Then there was the page customisation and…oh my god, pretty much everything was hassle.

After several months I got the hang of it, used it to its full potential, then just as I was able to sit back and enjoy the fruits of my labour, swapped tack to be a DJ. At least then I didn't have to change my Myspace profile to a personal one, I just had to make a few text changes.
Meanwhile, it was about that time when everybody started to migrate in droves to Facebook.

Being the stubborn bugger I was, I staunchly refused. From what I could see, it wasn't customisable enough, had no music player support and was generally fiddly to use. Then even more people slowly migrated to it which really left me baffled.

What was the problem with Myspace? Nothing that I could see, apart from when they automatically (and almost stealthily) allowed band profiles to accept any old friend request from clearly inappropriate profiles 'for our convenience'. Bad Myspace; very bad social networking site. You caused me much frustration when all I got was additions by metal bands and hip hop labels that, lets face it, were sent by someone not intelligent or respectful enough to even take a look at my page. They see the 'DJ' at the beginning of my profile name and immediately think I'm going to be a target audience. Doctor Who is a Timelord. He flits round space in a telephone box and zaps daleks. I wouldn't take my high blood pressure problem to him just because he has 'Doctor' in his name, would I?

Then of course there's the irritatingly imposing Flash header adverts that expand all over the page you're trying to read just because your mouse pointer was a few pixels too near the bottom of it for a split second. It then takes a while to find the 'close' icon to get rid of it, by which time you've apparently ingested all of the information that the oh-so-clever marketing guy thinks you should have done whilst struggling to get shot of it.

Here's news for you, marketing guy; it's atrocious, invasive advertising. I'm not reading the details of the advert; I'm trying to find the 'close' icon. If I ever meet the person responsible for them I will more than likely cheerily stab them in the eyes with a plastic chip fork.

Anyway, I sorted that problem out easily enough. By then though, the rot had certainly started to creep in; Myspace was becoming as quiet as an old folks home post nuclear winter, and Facebook was filling up with its desperate refugees…

Nowadays, I'm a 'Twitter' man (and a 'Blogspot' man, obviously). Twitter blows away the competition when it comes to getting a message out in 140 characters or less; World Goth Day is evidence of this. To ramble on in further detail requires this blog page, and all I have to do is pop a message in Twitter about a new blog and people will come to read it without needing to sign in, give blood. No commitment, nothing. It's insanely simple.

The one infuriating thing about Twitter, though more about other users than the platform itself, is the synchronised 'links' thrown out by cross-connected social networking sites, worst of all, Facebook. There's been many a time when someone posts a tweet which might be interesting, so I click the associated link and presto; a bloody Facebook sign in is required to read the rest of the post or view the photo gallery. Thanks for that dead-end link, guys. No, really…

Nothing on earth is important enough make me sign up to yet another social networking site just to read something that probably isn't as life-essential as first thought. I've toyed with the idea, but right now Facebook is having a lot of bad publicity with its security issues. I'm too scared to submit little more than a username and password in fear of it having enough information on me to allow a kid in Pennsylvania to organise a Facebook House Party at my home while I'm at work. To quote a good friend of mine, "...it's usually just telling me someone I don't know is doing something I don't care about and then demanding I take a quiz about it...". Well, screw that for a game of soldiers. Doesn't that sound suspiciously like work to you? If I had to dutifully log in each day, read some information then answer random queries, I'd expect to be paid for it.

I have constantly bemoaned social networking sites as been the cause of death of the 'official' band website. It's made bands lazy; their 'dot com' addresses frequently lead to landing pages which promptly redirect you to Myspace or Facebook pages. Almost any shred of originality and artistic quality are either discarded or suppressed in favour of uniform looking blocks of text and graphics. When even large corporate bodies see fit to sign up to Facebook pages and Twitter accounts in order to be seen around the world, you know we're in trouble (and I don't even need to point out the irony of such bodies imposing lockdowns on accessing such sites at work).

It's time to take back what is yours and not let your life become the intellectual property of backroom geeks that you've never met and who have full access to it. I won't waste my time or yours telling you why because it'll never happen. Seeing as I can't convince everyone to go and delete their social networking accounts for the sake of their own identity, and to be fair I put a LOT of time into getting my rarely updated Myspace page looking something like coherent to just go and erase all my work, maybe I can politely ask one request of all Twitter users:

If you're going to synchronise all your 'potential identity fraud outlets' to send a Tweet, please make it publicly viewable.

Meanwhile, here's my request of the internet in general:

Dear Internet,

Just give me the information quickly and without consequence. I don't want to sign in. I don't want to create an account. I don't want to register for a monthly newsletter. I don't want to enhance my old feller or purchase a Thai bride.

And I certainly don't want to take a bloody quiz.