Bank Holidays. You gotta love 'em.
Sunday, 26 May 2013
Saturday, 25 May 2013
My Regular Show Roundup
In amongst all the insanity that has been World Goth Day activities, it can be easy to forget I actually have regular shows to tune in to, so here's a brief roundup.
FADEOUT goes out on Phoenix Radio every Saturday evening at 7.00pm GMT-just hit the 'Listen Now!' page at www.phoenixradio.co.uk or stream it directly from your media player using this URL: http://icecast.easystream.co.uk:8000/PhoenixRadio
Of course, if you miss that, you can grab the FADEOUT PODCAST after it airs from http://fadeout.podomatic.com at about 8.00pm GMT (give it a few minutes to cook, cool and all that)
CRUEL BRITANNIA'S HAUNTED WARDROBE goes out on Nightbreed Radio, which you can visit at http://nightbreedradio.com to listen in or stream on your media player using this URL: http://199.101.51.168:8010
The scheduled airing is frequent, so take a look at what time suits you to tune in. If none of those times suit you, you can always grab it on demand at http://mixcloud.com/nightbreedradio/ too.
I have a Second Life DJ set too, because apparently, I don't ever rest.
You can listen to AFTER HOURS @ CLUB GOTHIKA every Thursday night at 10.00pm GMT by streaming it in your media player using this URL: http://aqua.neostreams.info:8036/.
If you have a Second Life account and feel like joining me, you can use this SLURL to hop straight in: http://maps.secondlife.com/secondlife/Cursed/39/208/23.
If you still have a craving for shows after all that, you can dig deep through the rest of the shows on Podomatic or hit my website at http://cruelbrit.co.uk/, where I've archived a ton of old shows alongside various mixes, remixes and other goodies
So in conclusion, here's a rundown of descriptions for each show:
Fadeout: a weekly hour-long dark alternative show & podcast on Phoenix Radio.
Cruel Britannia's Haunted Wardrobe: a monthly hour-long goth show & Mixcloud cast on Nightbreed Radio.
After Hours @ Club Gothika: a weekly live 2 hour-long DJ set in Second Life.
Wednesday, 8 May 2013
Sinister Sunday: The DJ Sets
Sinister Sunday, 5th May 2013 @ Chamelon Arts Cafe, Nottingham
DJs:
*Po [Nottingham]
*Lee (The Scream) [Birmingham]
*Cruel Britannia [Telford]
Total DJ set length: 19.30 - 00.15
Po:
Dreadful Shadows-True Faith (Live)
Conspiracy-Plague God
New Model Army-Hunt (Live)
Inkubus Sukkubus-Take My Hunger
Beauty Of Gemina-Scarifice To The Falls
Lee (The Scream)
The Sisterhood-Finland White
Bauhaus-The Passion Of Lovers
Play Dead-The Tenant
Siouxsie & The Banshees-Nicotine Stain
Killing Joke-Complications
The Cramps-What's Inside A Girl?
The Damned-Democracy
Joy Division-Love Will Tear Us Apart
DJ Cruel Britannia
Blacklist-Dawn Of The Idols
Rhombus-Almost Everything
The Cold-Summernight
Loud-D Generation
Dream Disciples-Obigatory Pop Song
Faces Of Sarah-All That Is Divine
O Children-Malo
Po
Funhouse-Voices
Siouxsie & The Banshees-Night Shift (Live)
Pretentious, Moi? The Garden
Angels Of Liberty-Talk About Nothing
Plastique Noir-Creepshow
Play Dead-Walk Away (Live)
Lee (The Scream)
Rosetta Stone-Adrenaline
Eyes Of The Nightmare Jungle-Shadowdance
James Ray-Texas
The Cult-Phoenix
Lords Of The New Church-Dance With Me
The Mission-Serpents Kiss
Sisters Of Mercy-First & Last & Always
Joy Division-A Means To An End
DJ Cruel Britannia
Chatshow-Kings Of Confusion
Gene Loves Jezebel-Desire
Specimen-Kiss Kiss Bang Bang
Rose Of Avalanche-Too Many Castles
The Wake-Sideshow
Switchblade Symphony-Bad Trash
You Shriek-No Heroes
Po
New Model Army-Christian Militia (Live)
Salvation-Listen To My Heart
The Last Cry-Punishment
Merry Thoughts-Second Generation
The Mission-And The Dance Goes On
Claytown Troupe-Hey Lord
Lee (The Scream)
Danielle Daxx-Cathouse
Salvation-All And More
Big Electric Cat-Paris Skyes
March Violence-Snake Dance
Red Lorry Yellow Lorry-Walking On Your Hands
Miserylab-Making A Bomb
PWEI-There Is No Love Between Us Anymore
The Cure Disintegration
Po
Demented Are Go-Love Seeps Like A Festering Sore
The Cramps-Heartbreak Hotel
Die Krupps-Iron Man
The Bellwether Syndicate-All Fire
Killing Joke-Blood On Your Hands
Stranglers-5 Minutes
DJ Cruel Britannia
Cardiacs-Is This The Life?
Siouxsie & The Banshees-Cities In Dust
Grooving In Green-Dirt
The Eden House-To Believe In Something
Timezone-World Destruction
Bauhaus-Sanity Assassin
Torpedoes-Twisted Love Song
Friday, 12 April 2013
Lee's Law of Microwaves
Like any area of life, science has rules, constants or laws. Today I have discovered three as yet unstated events and have named them Lee's Law of Microwaves.
Lee's Law of Microwaves are:
1. All recipes for microwaveable meals will contain suggested cooking times for ovens incompatible with your power rating, eg. if the suggested cooking time is 2mins 30secs for 800W or 1min 15secs for 1000W, it is likely you own an 850W oven.
2. Where the contents of a cup are being heated by a microwave, the heating process will complete when the handle of the cup faces the furthest point from the door.
3. If clingfilm or other covering is used during the heating process, this is automatically regarded as a 'challenge' by the microwave. As a result, the most liquid and/or adhesive component of the food will be used to breach the weakest point of contact of the covering with the container until the liquid and/or adhesive component makes permanent contact with the glass plate underneath the container.
So there you go. I've done science so you don't have to.
Lee's Law of Microwaves are:
1. All recipes for microwaveable meals will contain suggested cooking times for ovens incompatible with your power rating, eg. if the suggested cooking time is 2mins 30secs for 800W or 1min 15secs for 1000W, it is likely you own an 850W oven.
2. Where the contents of a cup are being heated by a microwave, the heating process will complete when the handle of the cup faces the furthest point from the door.
3. If clingfilm or other covering is used during the heating process, this is automatically regarded as a 'challenge' by the microwave. As a result, the most liquid and/or adhesive component of the food will be used to breach the weakest point of contact of the covering with the container until the liquid and/or adhesive component makes permanent contact with the glass plate underneath the container.
So there you go. I've done science so you don't have to.
Friday, 15 March 2013
KFK 35th Anniversary Tour San Diego show
I'll be grabbing a Fadeout interview with Patrik soon to talk about the upcoming tour too. Watch this space...
Sunday, 17 February 2013
The DJ; The Reality TV Celeb of the music world?
I'm a little confused as a DJ.
I just saw an advert for a dance compilation "as mixed by (insert random DJ here)". The advertisement's focus appeared to be entirely about the *DJ*, not the musicians responsible for the music itself, without which this guy would just be a bloke standing in front of some shiny gadgets.
I've never got this concept in all the time I've been er, inserting a CD, pressing play and shoving another CD on while that one plays, with the end result of following the current song with one that is similar.
No really, that's it. No magic. No pyrotechnics. Just a bloke who can press the 'play' button on a CD player seemingly better than others according to some unknown quantification of opinions.
Now, granted, I do not beatmatch. I assume that there is some modicum of talent around making two tempos the same and blending one CD into the other. I imagine it's a real shitter to do it with vinyl. Call me cynical, but I imagine that the job is made a whole load easier if a laptop is involved. I could be wrong-I have never tried it.
I'm lucky; I need not bother myself with such shenanigans. Goth is expected to be this loose, fluid arrangement of emotions, rhythms and noise that has a beginning and an end that people recognise. I'm grateful for this of course because anyone who knows me knows that my grasp on timing is less than favourable-a NASA computer couldn't help me beatmatch. But I digress.
How on earth did we get to the point where DJs get as much, if not more famous than the musicians that put them there?
How is it that this guy whose name I've already forgotten, gets a higher billing on a Ministry of Shyte dance compilation advert than the people who made the oonzty-boom-boom-gerbil-voice stuff? I mean, it wasn't him who put in the hours & money required to make this music, which despite not being my cup of tea, mostly had artistic reasons behind its making?
Don't get me wrong; I quite like that people appreciate & compliment me on whatever the heck it is I'm doing every week on various stations. That sort of recognition has got me doing some incredible events & experiencing some even more incredible moments over the years. For all of that I am more than just a little grateful. But christ only knows, I'm realistic about it.
I'm extremely aware that it's the people who write & perform the music who really *make* the shows, not me. I'm just the grout between the tiles, mate. I'd be awfully uncomfortable if I was billed at the same level as the artists themselves for essentially doing a tiny fraction of the work they did at an event or by some weird quirk of fate, a goth compilation album.
Maybe I'm wrong about it all. But it just seems a bit...odd.
I just saw an advert for a dance compilation "as mixed by (insert random DJ here)". The advertisement's focus appeared to be entirely about the *DJ*, not the musicians responsible for the music itself, without which this guy would just be a bloke standing in front of some shiny gadgets.
I've never got this concept in all the time I've been er, inserting a CD, pressing play and shoving another CD on while that one plays, with the end result of following the current song with one that is similar.
No really, that's it. No magic. No pyrotechnics. Just a bloke who can press the 'play' button on a CD player seemingly better than others according to some unknown quantification of opinions.
Now, granted, I do not beatmatch. I assume that there is some modicum of talent around making two tempos the same and blending one CD into the other. I imagine it's a real shitter to do it with vinyl. Call me cynical, but I imagine that the job is made a whole load easier if a laptop is involved. I could be wrong-I have never tried it.
I'm lucky; I need not bother myself with such shenanigans. Goth is expected to be this loose, fluid arrangement of emotions, rhythms and noise that has a beginning and an end that people recognise. I'm grateful for this of course because anyone who knows me knows that my grasp on timing is less than favourable-a NASA computer couldn't help me beatmatch. But I digress.
How on earth did we get to the point where DJs get as much, if not more famous than the musicians that put them there?
How is it that this guy whose name I've already forgotten, gets a higher billing on a Ministry of Shyte dance compilation advert than the people who made the oonzty-boom-boom-gerbil-voice stuff? I mean, it wasn't him who put in the hours & money required to make this music, which despite not being my cup of tea, mostly had artistic reasons behind its making?
Don't get me wrong; I quite like that people appreciate & compliment me on whatever the heck it is I'm doing every week on various stations. That sort of recognition has got me doing some incredible events & experiencing some even more incredible moments over the years. For all of that I am more than just a little grateful. But christ only knows, I'm realistic about it.
I'm extremely aware that it's the people who write & perform the music who really *make* the shows, not me. I'm just the grout between the tiles, mate. I'd be awfully uncomfortable if I was billed at the same level as the artists themselves for essentially doing a tiny fraction of the work they did at an event or by some weird quirk of fate, a goth compilation album.
Maybe I'm wrong about it all. But it just seems a bit...odd.
Friday, 25 January 2013
Emergency Exit Festival 2013
(I'm posting this for Lilly because she's great.)
The Emergency Exit Festival enters it's second round on March 30-31st 2013.
As with the first Emergency Exit Festival, the venue is the Schlachthaus in Dornbirn, Austria, close to the border of Germany and Switzerland. This time it is extended with the café of the youth center, where you can sit down for eating, drinking and talking. This time there will be several label's offering merch next to the band merch in a separate room.
The hosts are none less than the Static Magazin Germany, who have gained an excellent reputation with their online magazine, booking, events and lots of other campaigns for more than 3 years now.
Also and the New Old Way Party, which has consistently kept its "Goth rock only" program for more than 6 years in the 3 country zone. So it's no surprise, that the line-up is a Goth rock and Post Punk Fest at its best. From long-established heroes to younger high achievers, everything can be found here. The following bands will perform at the Emergency Exit Festival 2013:
Grooving in Green (UK)
With their debut album "Post Traumatic Stress", Grooving in Green have already earned a relatively large fan base which, could be extended by the new album "Stranglehold". You can easily hear that the two guitarists already strummed the strings with Children On Stun. To perfect the line-up, they recruited singer Tron (ex-Solemn Novena) , who also takes care, that the Stun-mark is maintained while giving it a very new sound.
Red sun Revival (UK)
Mastermind Rob Leydon is not an unknown within the Gothic Rock scene. He has already proven that he's right for this genre, while a part of Voices of Masada,. With Red Sun Revival he tops it once more; combining soft Neo-Folk / Classical influences, with Gothic Rock, comparable to Fields of The Nephilim. Aimed guitars, a comfortable violin, solid drums and a strong bass perfect the interplay.
The Stompcrash (IT)
A rather new band, but one, you should keep an eye on, has already formed in Mailand in 2002. With their different styles, every song gets its own note and and a different feeling of , what they want to express with their lyrics, that are often about love and death. The sound is, partly reminiscent of, the early 80s, when bands such as The Cure, The Mission and Siouxsie & The Banshees called out a new age with great Gothrock and Post Punk. But in no way do they just copy the sound, instead giving their its very own touch.
The Last Cry (UK)
The Last Cry have already enjoyed great popularity. Their debut album "Walking to The Edge" already counts as a classic of modern UK Goth rock / Dark Wave. With their intensive live performance, which is very hard to describe, yet extremely intoxicating, they already found a lot of new fans at the Emergency Exit Festival 2012. The high demand for the band eased the decision, to invite them to the Emergency Exit Festival again, and to let them play as the headliner.
Twisted Nerve (UK)
Thise Scottish legend of Post Punk of the very first hour, has already caught a lot of attention on the European continent. For the Emergency Exit Festival they leave their coffins once more, to bring us their live set which ,has entertaineds parties and pulleds the people onto the dance-floors for over 30 years. Here you can experience music history!
Berlin Black (UK)
Mastermind Chris Tuke has been striking terror into people's hearts for a number of years. In the early 2000s he rocked the stage on guitar and the bass with Screaming Banshee Aircrew, always looking for new challenges. The challenge was found on the microphone, which he perfectly masters, as none else, nowadays. Musically Berlin Black are in a twilight zone, somewhere between Bauhaus and Theatre of Hate... Shrieking guitars and an enormous voice make the tone here.
Aeon Sable (GER)
It gets harder and harder to find the right words, to describe the mixture of classic and modern elements of the Essen-based gothic rock duo Aeon Sable – the perception of this form of music is too different .. Aeon Sable achieve once more the balancing act between 80s flair and progressive gothic rock, without becoming icky or drift away into popular cliches.
The Festival gets support by Djs out of every corner of Europe once again.
DJ martin oldgoth, one of the best-known Djs within the Goth rock scene, with more than 30 years of DJ experience, will take care of fitting music between and at the aftershow party. He will be supported by DJ Cyberpagan, who works on the preservation of guitar-goth with years of experience as a DJ and promoter. DJ Gianfranco from Italy organizes concerts and festivals here and also organizes a lot in Italy, will be supporting them as well. The local DJs Illi (NOW Party) and Exciter (Static Magazin) will be behind the turntables now and then as well. A DJ line-up is as promising as the band line-up!
More info:
http://www.staticmagazingermany.com
http://staticmagazingermany.bandcamp.com
http://www.af-music.de
E-Mail contact:
lilly@staticmagazingermany.com
enrico@staticmagazingermany.com
eef@staticmagazingermany.com
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